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Chicken Feathers

April 6, 2015

Tags: writing courage and cowardice

I let the story and its very real characters find and travel the paths upon which they insist. It completely defeats the "writer as God" attitude exhibited by many writers and beginners, but that's the way it works for me. Usually.

Okay, the current work is titled The War Whisperer, told from the point of view of an orphan who, at the age of twelve, is drafted into a secret quasi-governmental school for agent/assassins. Jerome Track did horrific things to be considered for this school for killers. At the school more horrific things happened, which changed everything, and those pages were very difficult to write. Then Jerome and his adopted sister graduate and become agents in this shadow organization that "resolves democracy and negotiation resistant problems" in favor of the U.S. So they and their handler go down to South America to await the arrival of an important terrorist leader: Object, termination. (more…)
Catching the big ones.


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For writers & readers. For writers, this is stuff I've learned, am in the process of discovering, and stuff that is imparted to me by other writers. For readers, I believe the more one knows about what goes into the writing of a story, and into the life of being a writer, the more one appreciates an author's writings.

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Barry B. Longyear is the first writer to win the Hugo, Nebula, and John W. Campbell Award for Best New Writer all in the same year. In addition to his acclaimed Enemy Mine Series, his works include the Circus World and Infinity Hold series, Sea of Glass, other SF & fantasy novels, recovery and writing instruction works, and numerous short stories.